Yep, more Micachu coming at ya. This is the brand new snappy and official video for "Golden Phone". Check it out.Micachu & the Shapes: "Golden Phone" - Directed by Conan Roberts:
(via Pitchfork)
This new-ish live video was taken from Point Ephemere in Paris, France. It shows Micachu & the Shapes rattling off a whimsical and stomping version of "Calculator" (not "Golden Phone" as it reads). It can be found on Jewellery, the trio's debut album of unique art-pop.
"Dot Gain" was originally offered through the Deerhunter/Atlas Sound/Lotus Plaza blog. It's a shame it wasn't included on Lockett Pundt's excellent The Floodlight Collective album that debuted earlier this year because it's so simple and warm. "Dot Gain" features the familiar, sunny guitars of Deerhunter and builds up into a jangly release of tambourine and rich choppy layers. I also like how Pundt's vocals are just a tad off in pitch -- it requires that you pay extra attention to him.
The latest School of Seven Bells single "My Cabal" features some sick remixes, this one treated and soaked by Justin Broadrick (Jesu).
The photo you see is Detroit space-rockers Paik. The band has toured with the likes of Stephen Malkmus, Dead Meadow and BRMC -- and they probably upstaged all three of them. Paik harness one of the heaviest sounds I've ever heard on record or in a live setting, and all with one guitar, a bassist and drummer. They've been on hiatus for a couple of years and I just wish they'd get back to business already.
I couldn't agree more with this review. The new Grizzly Bear album is outstanding.
Guillermo Scott Herren (Prefuse 73) and Zach Hill (Hella, Marnie Stern) team up and take us on a stroll through the clouds with Diamond Watch Wrists. This release finds the duo blending psych-folk and electronica similar to imaginative acts like Caribou, only this sounds more grounded. Hill definitely shows some restraint on the kit while harmonized vocals stay plaintive and steady against light guitar melodies.
You'd think that the Cocteau Twins influence that's jumping right out at ya in "My Cabal" would have urged the director to take things in a trippier and more "visual" direction. In "My Cabal", directed by David Mullett, the camera simply twirls around the band as they play in a studio. Simple? Yes. Effective? Sort of. Perhaps it's a question of not getting a big enough budget, but I'd love to see Ghostly Intl. throw down some serious cash and tackle "Wired for Light". That track is ripe for a video.
Possibly the creepiest clip I've ever seen. This Patrick Daughters-directed video for the outstanding "Two Weeks" shows Grizzly Bear glassy-eyed with strange facial gestures and coloring, you know, the kind of feeling everyone gets at church. The eyes are definitely treated and widened to disturb the viewer (it worked). Overall its a great video, definitely a few cringes and "WTFs!" were said out loud.
This would have been a great Deerhunter review if Hogan hadn't compared the band's "spaced-out dominance" to MBV. Someone should lend him a copy of Loveless.
Taken from Somfay's excellent ambient-techno release A Catch in the Voice is this 10-minute thumper that sounds like a journey of careening atmospherics floating over detailed rhythms. While the song never really gets "faster" it still feels like it picks up, and maintains a clarity that makes it danceable -- especially around the 5-minute mark.
Jeff Garber's National Skyline returns with the Bloom EP. It's five songs of edgy dream-pop starting with an edit of the super-charged single "Bloom", an acoustic version of album track "Edge of the World" and three previously unheard jams. Here's some more info from Garber regarding this new digital-only release and two forthcoming EPs from his MySpace page:
You need to download this mix for the title track from Bibio's forthcoming album, via WARP. The guy is amazing. Of course, the other tracks in here are stellar too.
Denmark's Shelflife fall somewhere between Failure and Swirlies with a touch of math rock technicality. On "I Implode", taken from the group's self-titled debut, they invite even more comparisons with breathy male/female vocals, minor chord gliding and drumming that adds real personality and flavor. A great debut album.
Talk about a quick turnaround. Chris Clark just released Turning Dragon in January 2008 then recently followed it up with the stunning Growls Garden EP. On July 13th WARP will drop Totems Flare, and I will be very happy.
This is something I wish we did more of. We've got a pair of tickets to see Great Northern at the Echoplex on Saturday, May 23 --courtesy of Filter.
The post, the stream, the new Wilco (the album).
Tame Impala recently recorded this new track "Sundown Syndrome" during their U.K. jaunt. It's pretty standard fare for the Australian trio; druggy, delicious guitar licks and bubbly rhythm. But on this song the mood is jazzy and a little kitsch, possibly taking a cue from masters of hypnotic psych-rock Dungen.
That scorching freight train coming at you during the beginning of The Twilight Sad's "Reflection of the Television" is astounding. James Graham gently comes in on vocals while the seas subside, for now. Delayed guitar notes regain their presence with a simple picking melody riding over shotgun drumming and simple bass. Glasgow's best band (yep, I said it) are darker and even heavier than their hard to top EPs and full-length on this brand new head trip of a track.
Autolux participated in Nigel Godrich's From the Basement series a few years back. This clip is the best recording you'll hear of some of the band's forthcoming material, in this case "Let it be Broken".
There's been news about UK gazers Amusement Parks on Fire's forthcoming Young Fight EP on the band's website for some time, but now the band has finally made good on that promise. "In Our Eyes" is taken from the new release (reportedly coming in July) and follows the soaring and melodic punch of "A Star is Born". It's dreamy and radio-ready, something most shoegaze-influenced bands never achieve. Word has it that Brian Aubert (Silversun Pickups) sings backing vocals on one of the tracks. Can you hear him on this one?
Brand new Prefuse 73 over at Stereogum.
There's some brand new inner-net tracks mixed in with some of last week's features and artists whose new material is growing on me.
The last time we spoke of Kate Simko she was "Smashing Atoms" with her minimal techno jams. This track is pulled from that release and reinforces her skill of creating linear electronic backdrops for a film about the "God Particle".
Canadian space-rockers Sianspheric hit their target with 2001's The Sound of the Color of the Sun, a joke of a title, yet accurate description of everything the quartet had been working towards. The problem with masterful songs like "Audiphone" is that no one was paying enough attention when the album came out. America was lost at sea with post-Joy Division posturing, indie mockery and post-punk mania that, clearly, never held up over time. "Audiphone" is like a slow-motion rush of every drug imaginable shoved into your bloodstream as guitars glide along like an attack of a million bees riding atop a tsunami. It's noisy as fuck but the feel is gentle and calming. Nowadays, if someone like Bradford Cox let loose with a track like this people would build statues.
Grizzly Bear played its new single "Two Weeks" on Later with Jools Holland last night. The track is taken from the excellent, and forthcoming, album Veckatimest. Kind of reminds me of a lost demo from Tears for Fears.
You may be thinking that Fleet Foxes should be the main topic of excitement in this post, and they certainly are a great band, but Dungen are my kind of guys. If you've never caught the band live then please do yourself a favor and check them out as openers for the bearded SNL champs in August. I know the list is short, but this is the kind of one-two punch that will hopefully make its way out west.
Sweden's Liechtenstein fall comfortably in between the C86 twee pop of Heavenly and K Records standouts Tiger Trap. While many bands influenced by these movements are guitar wash-heavy with little thought put into vocal arrangements or recording quality this all-female trio blend smart repetition with intertwining melodies that swoon.
After my last Bibio post I've been trying to freshen up on any new info I can find. Turns out his new Warp Records release is going to be called Ambivalence Avenue, and it drops June 22. You can sign up at the label's Bibio page and get an "album teaser", plus check out all of the tracks and artwork. I went ahead and listed it below anyway, because that's what real friends do. If you like 1970's folk mixed with Boards of Canada trippy-times then you're going to have a great time with this record.
Love is All were last year's champions at Fuck Yeah Fest. They turned in a performance that made some of the other acts look unrehearsed and even amateurish. And while I'm pretty hit or miss when it comes to their recorded material I like the spontaneous and vibrant pop on the band's latest album A Hundred Things Keep Me Up At Night. This clip for "Last Choice" is a stop-motion wonder that reminds me of the old Gumby cartoons.
If you browse through the archives it's pretty clear that we're big fans of electronic music, shoegaze and indie rock. Just wanted to make a disclaimer for people writing in or mailing us music submissions. We love to hear new music, but we don't guarantee reviews unless we're 100% stoked on it. 





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